Stars : Nat Wolff, Lakeith Stanfield, Willem Dafoe, Margaret Qualley, Shea Whigham, Paul Nakauchi. Genre : Fantasy, Horror, Mystery, Thriller. Country : United States of America. Companies : Vertigo Entertainment. Rating : 4.2/10 by 2486 users.
Light Yagami is no hero.Synopsis Of Death Note. He’s shameless, and he only occasionally pretends to use the Death Note for anything more than sport. Too bad for the thousands of personal rivals and criminal suspects whom he will go on to victimize, Light delights in testing the Death Note’s limitations. In the original manga series, which ran from 2003 through 2006, as well as its popular anime adaptation, which aired on Japanese television from 2006 through 2007, the Death Note falls into the hands of a vengeful high school outcast named Light Yagami. If you list a cause or manner of death, the subject will die accordingly. If you specify a time, the subject will die at the given time.
Lakeith Stanfield plays L, the special investigator assigned to track Kira down. (The movie isn’t totally clear on how, exactly, Light advertises Kira’s crimes.) Willem Dafoe plays Ryuk, the stalking “death god” who watches over Light. Wingard’s take stars Nat Wolff as Light Turner, a Seattle high school student, who goes by the pseudonym Kira for public relations purposes: He advertises his own crimes in order to make vague, convoluted points about law and order. There’s already a Japanese series of live-action film adaptations, popular in its home market, which ages Light up a few years, places him in law school, and characterizes him as a reactionary tyrant. Any human whose name is written in the notebook dies, and Light has vowed to use the power of the Death Note to rid the world of evil.Light is an altogether different character in the new Death Note movie, directed by Adam Wingard for Netflix. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god.
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A high school student named Light Turner discovers a mysterious notebook that has the power to kill anyone whose name is written within its pages, and launches a secret crusade to rid the world of criminals.Watch best movies by Kensho Ono full HD online free. With Nat Wolff, LaKeith Stanfield, Margaret Qualley, Shea Whigham. Also, note Morgan's fatalism.Death Note: Directed by Adam Wingard. Amongst the other humanoid mutant movies of the 1950s.
On-screen, Stanfield’s strength is that he can maintain a certain acuity while hopping barefoot onto furniture in a colleague’s home and shoving pop rocks into his mouth. Movies both strip that dramatic element from the story, but Stanfield compensates rather excellently in Wingard’s with fits of mumbled conjecture and gallows humor. Hence L’s intervention.)In the anime, half of Light and L’s dialogue—and I really do mean half—is rambling, paranoid, internal voice-over speculation, quite like a soap opera. (In the original series, Light initially writes names in the Death Note immediately after school, which leads police to wonder why a spree of local murders is being carried out only at a specific time of day. Fueled by hyperactive curiosity and fistfuls of candy and other sweets, L quickly deduces clues to Kira’s age and whereabouts, though the film conspicuously rushes past any development that would lead anyone to observe a global pattern or deduce a single assailant in these murders to begin with. L is a quirky, childish hermit—a hikikomori in the way of anime archetypes—but he is far wiser than his youth might suggest.
He’s never characterized as an exceedingly vindictive person. He seems to murder people because, and only because, a script requires him to do so. Light Turner, as played by Wolff, does neither. If he’s evil, you’d think he’d spend far more screen time celebrating the Death Note’s revolutionary potential. If he’s ambivalent about killing supposedly bad people with impunity, you’d think he’d spend far more time weighing murder against his conscience.
Reducing a serialized manga plot to a 100-minute film runtime is thankless butchery, and really no one alive, not even Christopher Nolan, has truly mastered that art of adapting comics. And since there’s no coherent ideology, however reprehensible or even ridiculous, there’s no exact, captivating character at the heart of Light’s actions.Light’s ambivalence aside, there are also some insurmountable problems with the movie’s pacing and scale. There’s no rhyme or reason. Light is enough of a sociopath to use the Death Note, without hesitation, to murder random criminal suspects across the world but then he regularly interrupts Sutton’s passionate embrace to stress, “We don’t kill innocent people.” It’s a vague metaphysics. But later, Light Turner is so seductively witty and arrogant, especially once he’s acquired the Death Note, that he instantly charms the first (and only) girl the camera ever settles on.
(In fact, that scene is the film’s latest trailer.) Here, it’s no longer a story of fated rivals, but a very obviously inevitable arrest. In Wingard’s movie, Light and L share one key scene for all of 90 seconds before the story devolves into one long foot chase. In the original series, Light and L share many tense scenes together, and their staredowns are filled with patient hatred and palpable conflict.
(Admittedly, these movies can be somewhat difficult to stream or acquire.) Upon the release of the first trailer for Wingard’s film, critics took Wingard’s adaptation to task for reimagining Light Yagami as white and relocating the story from Japan’s Kanto region to the Pacific Northwest. It is also unfortunate that relatively few potential fans in the U.S., including critics, who criticize Western anime adaptations for their non-Japanese casting will bother to watch and review the live-action adaptations that Japanese studios produce, as they do indeed star Japanese casts. Regardless it is generally regrettable that more of these roles, in more of these projects, which pillage manga and anime classics, don’t call on Japanese actors to suit the material.
Essentially, Death Note is a serialized detective drama in which two strange wise guys face off to prove their superior wits. In both manga and anime form, Death Note is a late genre classic, but it is not some radical artwork that defies easy Western translation, or even comprehension both the manga and the anime series are populist favorites among anime fans worldwide. The original Death Note is simple enough. As a preemptive compromise with critics of Hollywood whitewashing, these tertiary castings are half-baked and unsatisfying, especially in a movie that struggles to do even its principal characters justice.Narratively, though, there’s no reason this sort of live-action adaptation shouldn’t entertain someone, anyone, be they an anime fan seeking a reasonably faithful adaptation or a newcomer just looking for a cool, dark fantasy.
If the Death Note fell in my lap, I’d pencil him in first. Light Turner has a name and a face. It’s confounding, then, that Wingard stops short of trusting his audience to embrace the original Light Yagami, a moody serial killer, as a protagonist, and instead sticks us with a rudderless romantic who is somehow even harder to love.
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